Gratis Ebook herunterladen Fake Like Me, by Barbara Bourland
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Fake Like Me, by Barbara Bourland
Gratis Ebook herunterladen Fake Like Me, by Barbara Bourland
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Winner of Baltimore Magazine's 2019 Best Book of Baltimore p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 13.3px Times; color: #000000; -webkit-text-stroke: #000000} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 13.3px Times; color: #000000; -webkit-text-stroke: #000000; min-height: 16.0px} span.s1 {font-kerning: none} A HelloGiggles Best Book of June 2019 A Refinery29 Best Book of June 2019 A Cosmopolitan June 2019 Must-Have A Fortune Summer 2019 Travel Pick A Publishers Weekly Best Book of Summer 2019 A CrimeReads Best Crime Books of the Year (So Far)A Toronto Star Hot Summer Thriller Pick p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'; color: #333333} span.s1 {font-kerning: none} "Bourland expertly shines a light on the nature of female ambition and desire and the often dark heart of inspiration. Readers fascinated with the blood, sweat, and tears of creating art will be especially rewarded."― p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'; color: #333333} span.s1 {font-kerning: none} Publishers Weekly, (Starred Review) p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'} span.s1 {font-kerning: none} "Menacing, swirling, hypnotic ... A haunting, dizzying meditation on identity and the blurred lines between life and art."― Kirkus, (Starred Review) p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'} "Bourland has an uncanny knack for spatial description and relates artwork and every last thing in Pine City--"half Dirty Dancing, half Twin Peaks"--with pristinely observed color and feeling. She also nails the creep factor, and her narrator's high tolerance for it, with foreboding signs that the no-name painter isn't totally welcome there, and that there's more to Carey's story. The deck stacked against her, the narrator tells the glitteringly compelling tale of her fevered summer and wisely reveals meaningful intersections of class, gender, and making art."―Booklist, (Starred Review) p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'} "The creative process confronts reality in this compelling literary thriller centering on art, identity, and deception, as told in Bourland's (I'll Eat When I'm Dead) sharp prose. A must for those with an artistic bent, a sheer reading pleasure for all."― p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'} Library Journal (Starred Review) p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'; color: #424242} "Fake Like Me is an impressively intelligent thriller set in the art world...Expect insightful paragraphs about the creative process sprinkled among the propulsive mystery."― p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'; color: #424242} Refinery29 p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'; color: #232323} span.s1 {font-kerning: none} "[A] page-turning story about art imitating life."― p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'; color: #232323} span.s1 {font-kerning: none} The Palm Beach Post p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'} span.s1 {font-kerning: none} "The process creators go through for the sake of their art ranges from obsessive to self-destructive, and that ideology is escalated with Bourland's cutthroat prose... The unrelenting threat hovers through the plot and rigidly keeps the reader's head just above water until the end approaches."― Fangoria Magazine"Bourland has an astonishing ability to write viscerally about art, culture, class, and landscape, for a work that's bound to be one of the summer's biggest crime/literary crossovers."―Literary Hub"Bourland's terrific new novel engages with the quandary of what makes a work of art authentic." p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'} ― p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'} Crime Reads
Über den Autor und weitere Mitwirkende
Barbara Bourland is the author of the critically acclaimed I'll Eat When I'm Dead, a Refinery29 Best Book of 2017 and an Irish Independent Book of the Year. People called I'll Eat When I'm Dead "delectable." Wednesday Martin, bestselling author of Primates of Park Avenue and Untrue, deemed it "a deft, smart, and hilarious debut." Kirkus noted that "death by beauty was never so much fun," and the book was featured in Fortune, Us Weekly, and The New York Post, among others. I'll Eat When I'm Dead is now available in paperback, and is forthcoming in Hebrew from Matar Press in Israel. Bourland is a former freelance writer and web producer for titles at Condé Nast and Hearst, among others. She lives in Baltimore with her husband and dog. Her second novel, Fake Like Me, is forthcoming in June 2019 from Grand Central Publishing in North America and from riverrun abroad. Fake Like Me was written with support from The Wassaic Project in Wassaic, NY, where Bourland was a resident over the winter of 2017-2018.
Produktinformation
Gebundene Ausgabe: 368 Seiten
Verlag: Grand Central Publishing (18. Juni 2019)
Sprache: Englisch
ISBN-10: 1538759519
ISBN-13: 978-1538759516
Größe und/oder Gewicht:
16,5 x 3,8 x 23,7 cm
Durchschnittliche Kundenbewertung:
3.0 von 5 Sternen
1 Kundenrezension
Amazon Bestseller-Rang:
Nr. 614.727 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
I am not an artist and I have no idea what it means to be one. So I enjoyed genuinely peeking into the bohemian-like art world for a while.Our main protagonist stays without a name. She is a thirty-something artist in New York. She is still a nobody although she sold some of her paintings in the past. Now she is about to have her break-through with a new series of paintings. But all this paintings get destroyed in a fire. For some reasons she can’t admit that they are all lost. So she decides to repaint them in an incredible short time without anybody knowing it. Through an old friend she gets an invitation to Pine City, a group of artists who life in a house in the country. This has been her dreams since she started to be an artist. When she was young she witnessed this group performing their art. Their main protagonist was Carey Logan. She was the star and became the hero of out no-name artist. Three years ago Carey Logan committed suicide and Pine City clamed up about that and refuses to talk about her. Now our no-name artist is finally invited into this elusive retreat. But Pine City is a disappointment. It is nothing like she imagined it. And they are still not willing to speak about Carey Logan.This story is really about art. There are very detailed descriptions what out artist needs for her paintings and how she does them. She is not just painting neat little aquarelles. She makes huge thinks with a lot of material. I would have loved to see them. There is also a lot of talk about other artist which art you can google. I enjoyed that but I also skipped some of the crafty details about producing the paintings. It was sometimes a little bit much.It was nice to hangout in this world. The characters are not very multi-dimensional and I found our main character to be whiny and needy. She has obviously the potential but she is full of self-doubt and compares herself to Carey Logan all the time. She lacks the enormous self-esteem every other artist in this book has but takes herself far too serious. There is a lot of telling in this book. Not much happens. For the first half our no-name painter is simply telling us how she got where she is now. Even when she arrives at Pine City she is just painting all the time and yearning for the other members to accept her. Not much action here. Toward the end there is a little twist and you see what Pine City was all about. That was nice but also our artist was a bit tiring with her fixation on unraveling the mystery about Carey. “Fake Like Me†was an entertaining read, a little bit on the slower side but with a compelling subject.
Young female artist, mentor-less and mostly in obscurity, creates large, thick pictures. She doesn’t find a mentor, but an idol. Except for keeping an eye on her idol, whom she measures herself against, she eschews a social life in favor of work. On the cusp of achieving career-changing success, her world comes apart. Without her idol, she works feverishly to produce art on an impossible deadline. Just as her protagonist produces large, thick pictures, Bourland has created a large, thick story that follows Ezra Pound’s famous dictum: make it new. The reader doesn’t have to care a wit about New York’s art scene to thoroughly enjoy this original, rich, and beautifully written novel.
Compelling and well written story that allows the reader an intimate glimpse of an artist at work.
Summary and review, no spoilers.This story is narrated by a young and talented artist born and raised in “backwater†Florida. She was always quirky and different and a talented painter specializing in very large works of art - she was eager to get away from her hometown and on to the dynamic and vibrant art world awaiting her in New York.Near the start of the book, at age 19 in 1996 and now in New York, our narrator meets a legendary group of performers called Pine City. They consist of a small group of five talented and eclectic artists - everyone wants to meet them, every artist wants to be them. Our narrator is besotted. She is especially drawn to Carey Logan, the young woman who is considered the most talented and eccentric of the group.I don’t want to give any spoilers away so to be very brief, something unfortunate happens a few years later that causes our narrator to be among the Pine City group, who are now older and without Carey who committed suicide in 2008. Note that this suicide is not a spoiler - you find this out literally on the first page.As we continues on, our narrator discovers the “secrets†of Pine City, and by the end, there is a wonderful twist worthy of any O. Henry story.I really liked this book. I know very little about the art world and this book was not only interesting in terms of its mystery and plot, but also because I learned a lot.This author shows she has good writing chops:“Somehow it doesn’t matter how old you grow, or how sophisticated you become. The people who impress themselves upon your consciousness at nineteen will never shrink or fade from memory. They will always be just a few steps ahead, and you’ll both hate and worship them for it, because you cannot help but compare yourself. “Whenever I put this book down, I looked forward to picking it back up which is high praise. The story was not only interesting and informative, there is a lot of humor to boot which was greatly appreciated.Recommended.
It’s a real treat these days when I can find a story that truly entertains me and I can not put down. This was one of those books.Ms Bourland is more than competent writer and deft in her story telling, a skill set that used to be the basic kit of any published writer but the rules of writing has clearly loosened up i the last couple of decades so it’s always a rice relief to come across an old school author.Anyhow, the story itself is a lovely farce on the modern art world and the drive to make a statement, make a name and just as importantly make a mint. The real fun is the main character and her drive and fear of being “fake†and her obsession with mysteriously deceased artist Carey Logan. I really enjoyed how the fear of being nothing was tied into the ego of believing you have a bonifide talent. As the protagonist herself muses,â€It is no small thing to be a lifestyle artist. It is a complex and difficult con.†Basically admitting that it is all bogus and that the layers of grease and paint she piles on plywood is a hot mess and that so called years of hard work can be replaced within months. This is no spoiler alert as the real crux of the story, the real star is Carey Logan and the smoke and mirrors that surrounded her long after her death.This was a truly fun ride combining mystery with the social instability of the art world.
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